Sample Pages
Table of contents
Vorwort
Was unsere Symbole bedeuten
Klang- und Bewegungsspiele
Schwerer Arm
Leichter Arm
Schwerer Arm/leichter Arm
Finger sensibilisieren
Legato
Legato/abphrasieren
Staccato
Staccato/legato
Fingerfitness I
3-Ton-Figuren
3-Ton-Figuren / 4-Ton-Figuren
4-Ton-Figuren
(Gebrochene) Terzen
Terzen als Doppelgriffe
Quinten
Quinten / Dreiklänge
Dreiklänge
(Gebrochene) Dreiklänge
5-Ton-Figuren
Die bunten Liederseiten
5-Ton-Figuren
Fingerfitness II
Tonrepetitionen
3- und 4-Ton-Figuren
3- und 4-Ton-Figuren / Terzen
Große und kleine Terzen
Sexten
Dreiklangsumkehrungen
Sequenzübungen im 6-Ton-Raum
Übungen mit Liegetönen
Daumen-Bewegungsspiele
Daumenuntersatz
Dur-Tonleiter
Moll-Tonleiter
Dur- und Moll-Tonleitern
Chromatische Tonleiter
Dehnung/Vorbereitung auf Oktaven
Oktaven
Oktaven / Oktaven mit Quinten
Oktaven mit Quinten
Cyber-Piano
Musiktheorie
Intervalle
Akkorde hören und begreifen
Tonleitern
Rhythmus-Training
Authors portrait
Guido Kaus, born in 1966, studied piano at the Richard Strauss Conservatory in Munich as well as conducting at the Munich University of Music and Performing Arts. Following his studies, he was employed for ten years as a choral repetiteur and music director at various opera houses. He worked as a lecturer at the music universities in Augsburg and Munich and later at the music theatre academy and at music schools in Grafing and Munich. Alongside this, he taught theory and aural training courses for the Bavarian Regional Musicians Society. He frequently works as a conductor with a number of orchestras, and as an accompanist and arranger, among other places, for the Gärtnerplatztheater and the Munich Symphony Orchestra.
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